Glorying in the Success of My Friends

It has been a very exciting month.

Best Friend Cate and I met at undergrad, in the Theatre Department at New Paltz, but during our four years at school she decided that Theatre wasn't for her. She started focusing on writing, went off to grad school, and now she's a fantastic writer with a blog that will make you laugh, and make you think. Mostly it makes you think "Fuck, I need to read more," because she's so intelligent it makes me want to throw up.

Recently she wrote a review of the novel, "Deathless" by Catherynne Valente that was retweeted by the author on Twitter. And if that wasn't exciting enough, I'm thrilled to announce that Best Friend Cate is having her first story published! Her short story, "Fox and Girl: A Bestial Romance" has won the 2012 Wabash Prize for Fiction! The second place winner is a published author. Suck it, guy.

(*Actor With a Business Card would like to note that the guy who won second place is probably also a really good author, and he should be really proud of his accomplishment, but she's just really happy for her friend so he can suck it.)

Guest Judge Aimee Bender, author of "The Girl in the Flammable Skirt" said, "First off, this story charmed me completely, gloriously. The author has a beautiful sense of the visual; each time I could picture perfectly the scene described, as if it were an illustration by an artist of a children’s book that is really not at all a children’s book.  But the writing is sly, like a fox, because yes, it’s full of wonder and charm and delight, but underneath there’s real depth here, and a genuine exploration of a relationship and the two struggling characters in it.  Both Fox and Girl, iconic as they are, feel real, dimensional, sympathetic, flawed.  So it’s utterly freshly told, but never sacrifices substance.  What a pleasure to read!”

HOORAY FOR CATE!!!

And in the Theatre world, one of my other friends is kicking ass and taking names! The lovely Harmony Stempel, one of my good friends and colleagues (and coincidentally Best Friend Cate's cousin) has been working on a solo show for the past couple of years called Human Fruit Bowl. It's an experimental show that examines the relationships between artists and their models.

Last year it went to the Prague Fringe Festival, where it won the Kreativni cena (Creative Award), and was dubbed "Best of the Prague Fringe" by the Amsterdam Fringe. She was even invited to perform at the Amsterdam Fringe and the Hong Kong Microfest. And finally, FINALLY it is getting produced in New York:

SO I GET TO SEE IT!

They have a kickstarter campaign if you'd like to give them your money.

But most importantly, you should take note of the performance dates, June 8th- 17th at the SoloNOVA Arts Festival, presented by TerraNOVA Collective.

I am SO SO proud and excited for my friends!

When you got nothin', you got nothin' to lose.

Two days after the last audition I wrote about, "Dust in the Wind," I had another audition for a fun play called, "The Mechanicals," about a group of high school students putting on a production of Midsummer Night's Dream. The director had sent me sides and it looked really funny.

Then, the evening before the audition, I got a phone call from Dorit, the writer and director of "Dust in the Wind."

I got the role!

I haven't done a show since "Work: a Play," so I was really, really excited. But I was bummed that I wouldn't get to go to the "Mechanicals" audition, so I emailed the director and explained the situation, and told him when the show would be performing. I figured even if I was no longer available, I might still be able to audition, maybe they'd like me and keep me in mind for other things. He told me to come in anyway.

I got there early, was the first one there, and had the good fortune to run into the director and the audition monitors while they were setting up, so I got to introduce myself. I sat outside the room while two other people came in for their audition slots, which were before mine, and I read over the scene.

I was reading for the girl who got cast as Hermia, checking the posted list with her best friend, who didn't get into the show, and the fight that ensued. Towards the end of the fight she's supposed to look at the list to find the name of the girl playing Helena. The stage direction was "quickly glances at the board."

But as I was standing outside the room, about to go in, I thought to myself, "Wouldn't it be funny if I couldn't find her name right away, and the fight comes to a screeching halt while I'm looking for it?"

It was risky. I would be going against a specific stage direction (the director was also the writer) and I would be bringing the momentum of the fight (which would have been building the entire time) to a complete halt. It would either be hilarious, or completely ruin my audition.

But then I realized that chances are, I can't even do this show in the first place because of the one I'm already doing. So what's the use of playing it safe if I'm not trying my best to get them to like me? I'm just going to do something funny. So I decided to stick with the pause until SOMEONE laughed.

I got into the room and I could tell my read was going well. They were chuckling at all the right places. Then I got to the pause (right before my last line) and instead of glancing at the board, I turned to the front of the room and stared blankly, moving my eyes from left to right as if reading very quickly, all to COMPLETE silence.

The briefest of "uh-ohs" entered my mind until finally, someone laughed.

Then I turned back to my scene partner and said the last line, but was completely drowned out by laughter.

I had a brief conversation with the director after my read in which we discussed my conflicts and availability. He was concerned because one of the performances for "Dust in the Wind" was the same day as one of the performances for "The Mechanicals." I explained that "Dust in the Wind" was part of the Manhattan Repertory Fall One-Act Play Competition. So the conflicting performance would only happen if the show got to the final round of the contest.

As soon as I said it was part of the Manhattan Rep Contest, he looked at me and said, "So is this."

We started talking about specific dates, and rehearsal times, and work schedules.

He sent me on my way and told me I'd know for sure by Sunday. I walked out onto the street and started laughing, pretty sure I'd just been cast in two shows at the same time.